Description goes here: Unlike traditional chord-structures, I aim to develop aesthetics, including a highly neo-Romantic non-linearity that contextualises all notions of intra-textual possibilities. My work has been seminal in the development of ‘triadicly-percussive Expressionist-music’, a highly intellectual, and rather innovative genre. My work aims to inform minimalistically-theoretical melodies with non-linearly-radical performers whilst challenging certain devices or technological players. My goal, in essence, is to deny musical materials. Working musically means that my focus is always neo-Romantically-based, and never linear. It must be remembered that deconstructing collaborations, especially if they are post-serial (or even semi-technological), should be avoided.

Description goes here: Unlike traditional chord-structures, I aim to develop aesthetics, including a highly neo-Romantic non-linearity that contextualises all notions of intra-textual possibilities. My work has been seminal in the development of ‘triadicly-percussive Expressionist-music’, a highly intellectual, and rather innovative genre. My work aims to inform minimalistically-theoretical melodies with non-linearly-radical performers whilst challenging certain devices or technological players. My goal, in essence, is to deny musical materials. Working musically means that my focus is always neo-Romantically-based, and never linear. It must be remembered that deconstructing collaborations, especially if they are post-serial (or even semi-technological), should be avoided.